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分享06-Oct-2023
弗里德里希-利普斯：手风琴演奏家曲目中的小品 - 俄罗斯by Dr Herbert Scheibenreif Manager of Friedrich Lips Productions |
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  视频： 作为俄罗斯格涅辛音乐学院民族乐器系即将到来的 75 周年纪念活动的一部分，弗里德里希-利普斯教授本周发表了题为 "手风琴演奏曲目中的小品 "的演讲。在学习或准备比赛期间，学生们主要演奏大型复调和循环作品，如奏鸣曲、组曲等。遗憾的是，在这一阶段的训练中，伟大作曲家的小品往往被忽视。为了吸引观众并让他们对手风琴产生兴趣，这些曲目对音乐会尤为重要。因此，莫斯科俄罗斯格涅辛音乐学院教授兼巴扬琴和手风琴系主任弗里德里希-利普斯（Friedrich Lips）组织了一次创意会议，为广大听众提出了许多宝贵建议，会议不仅在学院的小礼堂举行，还通过 YouTube 进行现场直播。 Harpsichord music of the French composers at the end of the 17th century is part of the most original sides of European culture. In F. Couperin's (The Reeds, The Reapers), J.Ph. Rameau's (Bird's Chirping, The Hen) and L.C. Daquin's (The Cuckoo) "Miniatures" life in this gallant century is presented pretty vividly. There you find an exhibition of human portraits, descriptions of landscapes as well as scenes from everyday life. The works of the Spaniards I. Albeniz (Cordoba, Asturias) and E. Granados (Spanish Dance N° 5), the Cuban E. Lecuona (Malagueña) and the Brazilian H. Villa-Lobos (Dance of the White Indian) are well known in their versions for piano, guitar and also symphony orchestras. The bewitching miniatures by the Argentine composer A. Piazzolla (Sentido Unico among others) carry us away into the immortal world of the tango. The works of R. Shedrin (e.g. Basso ostinato, Humoresque, Quadrille from the opera "Not only love") - one of Russia's most important and prominent contemporary composers - distinguish themselves by their colourful melodies and their humour. Friedrich Lips arranged all the works for piano of all important Russian composers of the 19th century (M. Mussorgsky, S. Rachmaninoff, A. Borodin, A. Lyadov, V. Rebikov, A. Ilyinsky, N. Bogoslovsky, A. Rubinstein) for Bayan. Employing the melodic character of this instrument as well as its various sounds and bellow techniques, Lips was capable of creating new spheres of sound in the popular miniatures of Russian composers. Lips showed his unique versatility in performing different styles of music from all over the world, whether Austria’s F. Schubert (Moment Musical F-minor) and J. Strauss’ polkas, America’s G. Gershwin (Three Preludes) and D. Brubeck (Blues Rondo alla turca), Argentina’s E. Arolas (La Cachila) or Piazzolla’s tangos, or even I. Stravinsky (Tango) and V. Tchernikov (Woronesh Cowboy) from his home country. |