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分享01-Aug-2014
‘14 年前’: 2000年7月巴黎举办手风琴专题研讨by Rob Howard |
 环球手风琴新闻曾于2000年7月28日报道了法国巴黎举办的一个手风琴专题研讨会的信息. 这一活动曾得到欧洲手风琴界的赞扬, 提升了手风琴的吸引力, 特别是青年人.Important Accordion Symposium in Paris – France Contributed by Benjiamino Buggiolacchi A very interesting symposium on ‘Accordion Manufacturing and Musical Perspectives’ took place recently in Paris during the Salon de la Musique. The event, organized by the council of the Cité, the Musée de la Musique and the Accordèon 2000 Association, was aimed at outlining the present situation of the accordion in Europe and promoting new musical perspectives capable of reversing the fortunes of an instrument that is less and less popular among young people. After a welcome by Honorary President Marcel Azzola speeches on several accordion-related topics were given including ‘Castelfidardo, cradle of the Italian accordion’ (Benjiamino Bugiolacchi), ‘Musical originality and industrial creativity’ (René Lacheze), ‘Italian manufacturing and foreign influences’ (Marco Galeazzi from Cemex), ‘The Midi accordion’ (Claude Cavagnolo and Sergio Tomassi), ‘The free bass accordion’ (Thierry Paillet), ‘The diatonic accordion’ (Marc Perrone and Massimo Castagnari), ‘Creation of an international notation system’ (Geir Draugsvoll), ‘Discoveries and music from the extreme margins’ (Pascal Contet), ‘How the accordion found its place in the classical repertoire’ (Pierre Gervasoni). Of particular interest were the debates that followed each speech, often provoked by well-known accordion historian Professor Pierre Monichon, US accordionist Peter Soave, Philippe Krumm and Patrick Quichaud. |