Once
again the accordion virtuoso, Mika Väyrynen,
has amazed his listeners with an impeccable interpretation of Johann Sebastian
Bach's masterpiece for harpsichord, The Goldberg Variations. I simply cannot find
enough room in this review to give you the superlatives due this Finnish musician
who, luckily for the accordion world, plays the accordion! His artistry shines
forth in each and every note, whether soft or loud, fast or slow; nothing seems
too difficult for Mika Väyrynen. Phrases are caressed with bellows changes
that one is extremely challenged to determine; in fact, one does not hear the
changes and every phrase is sung perfectly
There are many recordings of
these variations on pianos, clavichords and, of course, on the original instrument
for which they were composed, the harpsichord. During a period of at least a few
decades I have listened to several of these interpretations by leading artists
in those fields and, actually, to review this present recording by Mika
Väyrynen, I have re-acquainted myself with some of them. Without any
reservations I will recommend the CD by Mika! It is simply an extraordinary demonstration
of the very best qualities possible in musical performance.
Listen
to his playing, there are no excesses. There is technical display almost beyond
belief, phrases are innately shaped with a sense of beauty, the ornamentation
so essential to the music of Bach is chosen with care and adherence to expected
traditions, dynamics run the full gamut regardless of the register, and the musical
style with which all this is performed is without question on a higher plane than
that to which we have become accustomed all too often.
Both the instrument,
a Russian Jupiter, and the venue in which the recording was made, allow the artist
the opportunity to display the joy, the grandeur and the true spirit of Bach.
The polyphony of this repertoire can be heard with the utmost clarity both required
and essential in the music of Bach. It is Mika Väyrynen, however, who has
used his wealth of musical understanding and his prodigious technique in both
hands to give a performance that will evoke feelings and emotions in every listener.
The
esteemed pianist, András Schiff, has stated: "On whatever instrument
we choose to play, style is of prime importance." Väyrynen has that
style! About tempi Schiff said: "Determining the tempo, for example, is one
of the key points for any piece of music, but it is the performer's duty to present
his tempo so convincingly that it will sound inevitable to the listener."
Väyrynen has achieved this with his choices! (At this point I tried listing
some of the Variations that I found particularly outstanding; it was impossible
to choose. You will, however, by astounded by Variations 5, 7, 11, 14, 17, 20,
23
see what I mean? I could list all of them and be honest. Every single
Variation has something to admire and truly appreciate for its musical quality.
The technical fireworks seem effortless, performed with a lyrical quality to make
one forget how difficult they are. The maturity manifested throughout the composition
seems to prove the artist has studied, performed and lived with it for some time.)
Bach's
masterpiece for the harpsichord, said by many to be the crowning achievement of
Baroque keyboard music, is the Aria with Thirty Variations, better known as The
Goldberg Variations (Klavierubung IV). Written for the court harpsichordist, Goldberg,
to play for Count Kaiserling during his countless nights of insomnia, it begins
with a richly ornate Aria from a theme written for Bach's second wife, Anna Magdalena
Bach. The formal plan consists of ten series of three variations each - two characteristic
variations plus a canon. The canons start at the unison and progress through the
ninth but these magnificent contrapuntal works are so skillfully conceived that
one is seldom aware of their technical intricacies.
Do
not let this description of an aria with thirty variations scare you off! These
variations are simply put: awesome! In the past I have suggested to buyers of
Mika Väyrynen recordings that
they always buy two: one for themselves and one to present in person to the most
influential musical presence in their locality. This accordionist deserves to
be recognized and it is up to everyone who likes the accordion to help put him
on a stage where he can be heard alongside all the great musicians of our time,
whether they are violinists, pianists, singers, or whatever.
The accordion
milieu often complains about the scarcity of an accordionist who is well known
and appreciated within the renowned musical circles throughout the world. It often
asks what can be done to alleviate this absence. Well, here is something we can
and must do! Take this Mika Väyrynen recording of The Goldberg Variations
to someone who books or reviews artists in your city. I promise they will be extremely
impressed. And, who knows, maybe they will select Mika Väyrynen for their
next concert series!
This CD is most highly recommended! The cost for
this CD is 18.50 euros and may be obtained through: Karthause Schmuelling in Germany
(www.intermusik-zeitung.de) or
Finnish Accordion Institute (kimmo.mattila@harmonikkainstituutti.net)
Produced by Alba Records, PO Box 549 Fin-33101 Tampere, Finland E-mail: timo@alba-records.fi
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