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Tania Lukic-Marx now gives the CD reviews a rating system. This system includes a number of stars at the completion of the review, for example 5 stars (*****) means the CD was "brilliant" or "excellent", 4 stars = impressive, 3 stars = good, 2 stars = satisfactory and 1 star = didn't impress.

Title: Appassionata 2
Artist:

Bruno Maurice

Supplied by: Bruno Maurice
Review date: January 17th 2003
Tracks:

1. Un matin dans la Forget - Igor Shamo
2. Largo - G.F. Handel
3. Moment Musical - F. Schubert
4. Aria en Re - J.S. Bach
5. Fantasie en re mineur - W.A. Mozart
6. Le Cygne - C. Saint-Sains
7. Danse des Mirlitons - P.I. Tschaikovsky
8. Danse du Feu - M. de Falla
9. Orientale - E. Granados
10. Don Rhapsodie - V. Semionov
11. Bleu - B. Maurice


Bruno Maurice"Appassionata 2" by French accordionist Bruno Maurice follows his first recording "Appassionata 1" reviewed on June 16th 2000 which contains all Bruno's biographical information. Bruno wrote to me: "I am happy to present to you my new CD "Appassionata 2", with a new program of transcriptions, original music and personal compositions…….."

Whenever I hear Bruno's instrument, a unique bayan in the world, constructed and hand made by the late Russian accordion builder Vassilij Kolchin, it totally fascinates me. Ingenuous construction, indescribable beauty of its tone, its warmth, color, response, it's 'singing' quality (due to double piccolo reeds in the treble) - it is an experience that has to be heard in person.

Bruno is fortunate to now own the instrument that for many years belonged to Ukrainian accordionist, Professor and artist, and recent recipient of the CIA Merit Award, Vladimir Besfamilnov. During my studies is Kiev, I used to hear Professor Besfamilnov perform on that accordion in concert and in private.

For this second recording, Bruno selected pieces originally written for the accordion as well as transcriptions. I particularly liked the transcriptions he performs, firstly because they were done well - nothing worse than poor transcriptions where accordionists try to stick to the original at any cost not keeping in mind that they perform on a different instrument and not taking advantage of its differences. Thematically, Bruno's program for this recording are miniatures of different epochs but of the same romantic nature. He performs them using wide phrasing, building smooth, long breaths which gives his performance profound depth. Bruno gets into the character of the pieces masterly, bringing it to the listener with good taste, refinement and delicacy.

A delightful performance. ****

 


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