You are entering
an Accordion contest are you? Ha! Ha! Ha!! Don’t let me discourage
you- but do you REALLY know what you are letting yourself in for?
Don’t you? Well, my friend, let me tell you: There are several
types of people one finds entering contests but the majority belong
to one or the other of three types which I itemise herewith:
TYPES 1, 2 AND 3
Type One
The fellow who thinks to himself, "you poor fish! What chance
do you think you’ll stand?" This is the TIMID type.
Type
Two
The bloke who thinks, "Contests? Pooh! I’ll walk away with
it!" This is the CONCEITED type.
Type
Three
The chap who thinks, "Well I’m going to do my best, but
if another fellow wins, then good luck to him!" He is the
NON-EXISTANT type!
Still
it takes all sorts to make a contest, as the monkey said when
he did something or other. Right, then, you are now entering
the contest of the year - in fact, the contest of your life!
THE GREAT DAY ARRIVES
Let us take it for granted that you have done your preliminary
training, practiced your piece, changed your "own choice"
at the last minute and played at sufficient gigs, weddings,
and kiddies "bun fights" to afford the entrance fee.
If you are a cut above the rest you may have won a small competition
organised by "Gobbo Toothpaste" ("Gobbo"
for a good paste in the mouth) and now you feel the urge to
do greater things. So we skip the anxious weeks and come to
the date on the calendar which you have marked with red pencil.
The great
day dawns - cold, clammy and drizzling with rain. You find that
you have a touch of the ‘flu’ which makes your hands shake so
much at breakfast that the family think you are practicing the
bellows-shake. You try to hide your trembling paws in your pocket
- only to find that you have no trousers on!!
Okay!
So what? Maybe you ARE a little nervous, but as every NON-Contestant
will tell you, you’ll be all right when your time comes! WHEN
YOUR TIME COMES! It sounds like a death sentence at that time
in the morning, doesn’t it? Well, you finish your custard and
kipper, or whatever you manage to force down your constricted
throat, and set out for the contest hall.
If you
have a train journey to make, leave your Accordion in the corridor
where everyone can fall over it. As your victims pick themselves
up hand them your visiting card. This makes a good publicity
stunt and helps to while away the time. A word of warning here
- don’t carry cream cakes or jam tarts (unwrapped) in your Accoridon
case. I did this once and played some very sticky passages afterwards.
Besides it messes up the cakes! And the Jam Tarts get fluffy!!
SOME OLD BUSKERS
On your way to the contest hall you may pass an old busker in
the street. Have pity on him. Very likely, he was a child prodigy
once. They all go the same way - first their names are in the
headlines- a few years later they make a comeback and get a
column on the inside page - still more years go by and you see
a very small paragraph on the back page which reads, "Ex-child
prodigy pushes ex-child prodigy under train". So if you
see one, take pity on him - it might be me!
You arrive
at the hall. Thousands of people are there and the accordions
at the Trade displays make yours look like an old bully-beef
can. The contestants’ room is a cacophony of noise. You try
to find a nice corner to yourself but succeed only in being
collared by a representative from the lower Balkans who grins
broadly and says some very rude things that he obviously learned
from a soldier with a misplaced sense of humour.
Already
you are chewing your finger-nails. STOP THIS AT ONCE!!! I remember
a chap who did that and by the time he was due to play he was
gazing despondently into space and nibbling at the frayed stump
of his right wrist. The hands of the clock creep remorselessly
round and suddenly a haggard-looking young man, with a French-English
: English-French dictionary and straggling moustache comes to
tell you that you are "on" in two minutes.
Get your
Accordion strapped on and STOP BITING YOUR NAILS!!!! You’re
on! You’re ACTUALLY on!! The stage stretches away into the far
distance and that sea of faces looks remarkably like a row of
cods’ heads on a fishmonger’s slab. IT IS A ROW OF COD’S HEADS!
No, it isn’t - it’s the audience! Somebody is waving to you
and saying to her neigbout, "Look Flo, it’s our Harry.
Good old Harry boy!" Don’t wave back, it’s bad form and
besides the organisers might think you want to leave. You DO
want to leave? But you CAN’T! You’re on - alone. You see a shape
in front of you. It looks like - no, it can’t be - but it -
no, it isn’t - yes it is! Its a microphone leering at you.
HIGHER AND HIGHER
Naturally, the preceding player was a giant of some seven feet
high and so the mike head is way above you. You begin laboriously
climbing up the swaying structure, vaguely wondering whether
you can hold on with your feet while you play. Then the haggard
young man runs across the stage and explains that the little
screw on the side of the stand is to lower it. You fumble with
this screw and wish that you had a pair of pliers on you. OOOPS!
The mike crashes down on your fingers and everybody giggles.
Everybody, that is, except you. YOU want a drink, YOU want your
mum. You want, passionately, to be sick.
You have
the mike there, your Accordion at the ready and the Test Piece
is hovering around in the back of your mind. Now, how does it
go? Oh yes - you pull eastwards like blazes, determined to startle
the audience out of their somnulence. You spin round and fall
flat on your bellows. You pick yourself up and undo your bellows-straps.
The crowd out front is getting restless. Somebody crackles a
bag of potato crisps and you can faintly hear another competitor
in the back room playing the test piece faultlessly.
THE TEST
PIECE! You come back to earth with a start - go on, PLAY! You
stumble blindly from the platform after giving a terrible rendering
- wrong coupler-changes at the second time bar on page two -
you fluffed that simple bass run - your right hand seemed to
turn into a claw on the chromatic run. Everyone on the side
of that stage is giving you sickly grins. The’re glaoting over
you!
THE OTHERS
You realise it’s all over and go back to the Competitors’ Room.
People nudge each other, look at you as if you either have the
plague or are the world champion (this latter applies, of course,
to the "Under-Four contestants).
Every
contestant who plays after you is SUPERB- perfect in phrasing
- clear staccato bass runs- Chromatic treble runs that flow
smoothly from under controlled fingers. Then it’s the end of
the contest and they are waiting for the winners to be anounced.
You spot the nearest Exit and begin making your plan of escape,
when, faintly, as if from a long way off, you hear your name
being spoken.
You whirl
round ready to defend your honor and quickly think up all the
excuses you can. But everyone is clapping and pointing at you!!
No, not that! Derision! You cannot bear it! And then, it dawns
on you. "Go on Harry, get yer pot!!!" you’ve WON!!
Excuse me while I faint.
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